Martha's Gallery








My roots in Christian symbolism are strong; as I developed a language
using precious metal clay as my medium, inventive and original pendants
shapes began to develop. A series of Jerusalem crosses enhanced by
metal clay paper, as well as crosses made of extruded and woven or
twined metal clay, evoke textures that invite handling and a thoughtful
perusal of the meanings behind their symbolism.
I design jewelry influenced by natural textures to create one-of-a-kind
necklaces, earrings, and pendants. I experimented with many forms of
craft during my lifetime. Growing up on a farm in rural Virginia taught me
many handwork skills as well as a family-instilled love of learning. I took
a BFA in design in 1981, and taught middle school art in Pulaski County,
Virginia for many years, introducing many students to the pleasures of
fusing glass. I have been working with PMC since 2000, adding in fused
and other forms of glass since then. I chose as a motto of my work this
verse:
…make it your ambition to lead a quiet life and attend to your own
business and work with your hands… 1 Thessalonians 4:11

photo by Robert Diamante
Jerusalem Cross,
featured on the
front cover of
Studio PMC, Winter
2006.
Ginko Leaf pendant
detail, Carnation Neckpiece
Nest Egg Pendant, inset with a
moonstone, reversible (other
side featured 24k gold and a
garnet)
Blues Neckpiece,
featuring tack-fused
black and dichroic glass
set in PMC
Square Pendant,
including a fused glass
"bug" and keum boo
details
Mask, an experimental PMC piece built
over a mask form, featuring layered leaves
and vines, liver of sulphur patina
Ed and Martha Biggar PO Box 323, 4390 Academy Street Draper, Va 24324 artneon@psknet.com marthabiggar@yahoo.com 276-620-8595
All rights reserved.
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